The tones are nothing special, the swervy progression's alright, the loose melodic wobble's a good time - but that bass.
That writhing, striding, lithe, loping fretless -- all groove, all motion, all sex. The two tracks its on are _made_ by it, which makes the last two tracks (remixes by personal fav Zongamin no less) such a letdown. The loose liveness on those two versions are refreshing, but you can't tease me with that bass and leave me hanging man 3.5/
Thursday, April 27, 2017
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