3/5 at its best, and this is a weird compliment, reminds me of Shatner's Has Been. Pop's voice is deep and resonant, and his ruminations on the grand finite do resonate.
Love's Missing brings those horns and damn.
But James Bond and Dirty Sanchez are the names of two songs and, well, they don't have the same heft. We Are the People has pathos of the moment, undercut by the guileless Dylan that follows. Flashes of a Blackstar kind of reflection, but takes shortcuts to relevance, is less for it
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